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Ode to a Dead Bird - Jason Michas

by Jason Michas

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1.
Houses at Night Houses at Night Are living things They breathe with the dreams Of their makers Houses at night Like satellite dishes Sighing out wishes Through each crack and frame Houses, houses at night When everything sleeping is right Houses, houses at night When everything sleeping is right Houses, houses at night Houses at night Like Emily sleeping It’s how they’ve been keeping us alive Houses at night their trim painted white Like shepherds in white linen They watch over us Houses, houses at night When everything sleeping is right Houses, house at night When everything sleeping is right When all souls are equal, there’s none without sin Each one of us naked when we tuck ourselves in Houses, houses at night When my life is over I will fly above your rooftops Above your chimneys and your smokestacks Past your window’s golden light Past the watchtower’s lonely outpost And the projects stacked like shelves Above grass huts and other shelters That have spared us from ourselves Houses, houses at night When everything sleeping is right When all souls are equal And all beasts are kin Even kings stop scheming When the night closes in There’s a light in the window There’s a swing set on the lawn There’s a cool breeze blowing And the curtains are drawn Houses, houses at night Lyrics by Jason Michas Music by Jason Michas & Jesse Zubot
2.
Salmon Pie Lullaby She was a friend of mine One of the fairest kinds She helped to keep me warm Helped me to stay reborn She made me salmon pie I’s just another lonely guy A girl so fine it’s true Passion was her only mood She made me salmon pie Days of true love have fallen way behind My belly’s fat, I’ve been divorced three times Now I sing Salmon pie lullaby, salmon pie lullaby She was a friend of mine One of the fairest kinds She told me time would fly And good friends were hard to come by She made it not in haste Though she’d no time to waste A girl with taste and grit Though her pie was delicate She made me salmon pie Days of true love have fallen way behind Me belly’s fat, I’ve been divorced three times Now I sing Salmon pie lullaby, salmon pie lullaby Salmon pie, a delicacy so fine it’s true But will she let you have your pie and eat it too? Lyrics & Music by Jason Michas
3.
The Kind of Love I Need I sing In the down below In the metro Underneath your dirty streets It’s what a broken heart deserves A quarter from some old time sweet hearts They’re not from here, they’ve had it harder They’ll pass on and I’ll concede But that’s the kind of love I need That’s the kind of love I need That’s the kind of love I need I went to visit Notre Dame Damned even there Among the polished pews and splendour My eyes tore that church asunder His wooden gaze of peace and wonder And broke the silence with my thunder Too ashamed and proud to plead But that’s the kind of love I need That’s the kind of love I need That’s the kind of love I need Well I left home like victory departing A cutthroat to the small town dream And I stepped out like a pigeon on the causeway Like Hercules getting creamed Up rose the blizzard with a calculating vengeance And all detail swells and recedes And evil played righteous and beauty mocked me To show this poor boy his misdeed I’m sorry, forgive me That’s the kind of love I need Underneath your dirty streets It’s what a broken heart deserves A quarter from some old time sweet hearts They’re not from here, they’ve had it harder They’ll pass on and I’ll concede But that’s the kind of love I need That’s the kind of love I need That’s the kind of love I need Well I walked out Like a beetle on the hard pan Like a player in a vaudeville show And I broke down like a mad man in the dust Like Job just beginning to know Down came the voices of anger and derision And all counsel smiles and misleads So I’ve come out here to meet you where things won’t be mistaken Where foolish believers are freed I’m tired, release me That’s the kind of love I need Is it that all good thing must end? And every step we take is measured I walk this earth without a friend And a price for every pleasure Got nothing left here to defend! That’s the kind of love I need That’s the kind of love I need Lyrics & Music by Jason Michas
4.
Midnight on the Great Western In the third-class seat sat The journeying boy. And the roof-lamp’s oily flame Played down on his listless form and face, Bewrapt past knowing to what he was going, Or whence he came In the band of his hat the journeying boy Had a ticket stuck; and a string Around his neck bore the key of his box, That twinkled gleams of the Lamp’s sad beams Like a living thing. What past can be yours, O journeying boy, Towards a world unknown, Who calmly, as if incurious quite On all at stake, can undertake This plunge alone? Knows your soul a sphere, O journeying boy, Our rude realms far above, Whence with spacious vision You mark and mete This region of sin that you find you in, But are not of? Poem by Thomas Hardy Music by Jason Michas
5.
Ode to a Dead Bird As I was walking Not thinking Like a fool who won’t see an omens warning On a cool and brisk Autumnal morning I spied a sight and peace was broken Confirming fears unspoken On cold sidewalk A little bird With it’s ear to the ground And eyes wide open Now I’m a simple man An average man Not given to complex emotion I stick to simple plans To low-key plans Try not to get caught in the commotion My pleasures come in simple ways I fit them all within a day If the grass is green And my socks are clean These are some little joys I celebrate As I debated And contemplated the colour of the falling leaves In a cool and brisk Autumnal breeze The little bird remained remote Struck dumb by some deafening note Well such a queer sight Had set Unease In motion So I set out to rouse the bird And offer an encouraging word I spoke of nature’s boundless beauty To remind that bird of Birdy’s duty To draw an arc across the sky While clouds go passing by And down below you’d watch us there Sucking up all the air Living without doubt or care So I waited For the little bird And still that bird would not respond Lost inside some darkening song And all the while the leaves would fall And I would call and call Like a child lost in a shopping mall And all the noises in the sky And all the people rushing by While the city burns And the cell phones yearn And nobody Has any time Little bird! What have you heard? The sound of the earth Has killed you Lyrics & Music by Jason Michas
6.
Harlem Whispers The snow floats Like bumble bees Like fairies and flying saucers The wind blows So quietly It carries horns and laughter Harlem whispers And through the courtyard, down on the street A brownstone stoop waits alone For it’s missing owners to come home Harlem whispers And it speaks The words I’ve not the strength to hear Harlem whispers It breaks my will Confessing all the time I’ve lost My dreams that were but candy floss These people who sold their souls To small for fame; to poor for gold And now these streets grey and cold Have seen their light I’m a stranger here A dog barks A siren wails The church bells plainly tell the tale The jazz plays A bottle breaks Lovers try to settle score Harlem whispers And through my window across the street To eyes behind midnight’s face Staring back at me Harlem whispers It tells no lies Won’t even try to hide a thing Harlem whispers Even my dreams Can’t cut a deal on Lenox Street It knows too much about defeat These people whose lives were stole To wise for fame; to rich for gold And now these street grey and cold Have seen their light I’m a stranger here Lyrics & Music by Jason Michas
7.
In the Valley Where the Mugwumps Walk Give me some reverb Commodore reverb Radio City Music Hall reverb New York city reverb Canada city reverb! In the valley where the mugwumps walk The spreadsheet for the human soul A catastrophic, seismic shift One brilliant moment A final Finished Explanation Like the rings in a fallen tree Or the layers of a fault line The voice of one cared for, of one longed for Hands you the map You Are Forgiven All codes are locked We have a final match A new language has emerged In ones And zeros In the reverb In the northern lights In radio signals Spread out across the earth Lyrics by Jason Michas Music by Jesse Zubot
8.
In the Tension In the space that’s fixed twixt 'q' and 'r' Between railway track and railway car In the buzzing of the locust crops Where breathing starts and where it stops In the body and it’s faltering grip Though it’s effort barely adequate When we catch familiar by surprise In a twisting snake antagonized In the tension In the bend Between the axis and the butt As we advance like scissors cut Through this oxygen divided As you’re watching at the party On the faces of your friends In their gesture and their laughter As you watch them through the lens As you hear them through the body’s hum Through flesh and blood Through which, they come In the tension In the pain By the failure and attempt Though our hearts conceal contempt We try and try again! We are born out in the tension We are forced between the grain We are a miracle of friction We are the aggregate of flame As the dewdrop hangs toward the fire As it’s turned to steam While it’s falling from the wire In the tension In the bend By the failure and attempt Though our hearts conceal contempt We try and try again! Lyrics by Jason Michas Music by Jason Michas & Jeff Holl
9.
Songs of Praise and Navigation Seems like the first time we set out on the ocean Picked a point on the horizon to see where it would take us Seems like the first time we set our sails in motion We were an empires grandest hope to glorify a nation Our course was set and we were betting We’d find the land and win the gold You were as bold and beautiful as Errol Flynn And from the moment we left the shore We belonged to no one anymore And steel grey water rose up to meet us Seems like the first time we set out on the ocean Our faces turned into the wind Seems like the first time we left what’s known behind us The water wet against our skin Sometimes it’s like the music goes You’ve grown too wise; you’ve grown too old And it’s been so long since we let it play Old Salty gave us all his best With spit and wind and hell fire threat And we sang songs of praise and navigation Seems like the first time we set out on the ocean Our faces turned into the wind Seems like the first time we left what’s known behind us The water wet against my skin Seems like the first time we set our sails in motion The water wet against my skin Seems like the first time we set out on the ocean We set out on our own again And as the waves broke on the sand We each became another man And the world we’d know was changed forever Lyrics by Jason Michas Music by Avi Shack & Jason Michas
10.
Every Time We Say Goodbye Every time we say goodbye I die a little Every time we say goodbye I wonder why a little Why the Gods above me Who must be in the know Think so little of me They allow you to go When you're near There's such an air of spring about it I can hear a lark somewhere Begin to sing about it There's no love song finer But how strange the change from major to minor Every time we say goodbye When you're near There's such an air of spring about it I can hear a lark somewhere Begin to sing about it There's no love song finer But how strange the change from major to minor Every time we say goodbye Lyrics & Music by Cole Porter

about

Whimsical. Tenebrous. Varied. Different. Singer-songwriter Jason Michas' 'Ode to a Dead Bird' is a transporting and offbeat collection of songs featuring some of Canada's most gifted musicians such as Jesse Zubot, Jeff Holl, Steve Dawson, Françios Houle, Chris Gestrin and more. Nominated for a Western Canada Music Award and coproduced by Jeff Holl and Juno Award winning, multi-instrumentalist Jesse Zubot.


From the Georgia Straight —

Vancouver has no lack of singer-songwriters, and the evidence sits in a pile next to my computer, awaiting my perusal. Most of this town’s solo tunesmiths fit into the same crowded category of those who ply acoustic guitars in aid of frothy pop-rock ruminations on love and its absence. Jason Michas is different. The former singer for Omnibol and Rumplesteelskin comes across less as a typical singer-songwriter than as a poet who happens to possess a lovely, expressive voice with a certain jazzy inflection. His lyrics speak of awakenings, losses of innocence, and regrets. Dark as they sometimes get, they are also often surprisingly moving, as in these lines from the disc’s title track: “And still that bird would not respond/Lost inside some darkening song/And all the while the leaves would fall.”

Musically, Ode to a Dead Bird is hard to classify, because it’s all over the map, ranging from down-beat jazz ballads to electronica-flavoured experiments. The album benefits from the talents of an amazing supporting cast, which includes clarinetist Françios Houle, guitartist Ron Samworth, cellist Peggy Lee, and multi-instrumentalist Jesse Zubot, who also coproduced. Sometimes the eclecticism stretches listenability to the breaking point—as on the reggae-ified “Salmon Pie Lullaby” and the spoken-word “In the Valley Where the Mugwumps Walk” —but when it works, it works exceedingly well.

⁃ John Lucas

credits

released December 1, 2001

Produced by Jesse Zubot, Jeff Holl & Jason Michas.

Production on 'Every Time We Say Goodbye' by Steve Dawson & Jesse Zubot.

Recorded & Engineered by Jeff Holl, Jesse Zubot & Mike Rogerson at Utopia Parkway Studios, The Hen House Studios & Baker Street Studios in Vancouver, B.C. and North Vancouver, B.C.

All songs mixed by Shawn Pierce & Jesse Zubot with assistance from Matthew Marteinsson at Vogville Studios in Port Cquitlam, B.C.

Mastered by Andy Bowmer at The Barn Recording Studio on Salt Spring Island, B.C.

All string arrangements by Jeff Holl, Jesse Zubot & Jason Michas
Horn arrangements by Jeff Holl & Jason Michas
All programming and sampling by Jesse Zubot

Cover design and collage work by Tiffany Michas
Photography by Tiffany Michas
Additional layout work by Sam Findlay at Artwerks.

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Jason Michas Vancouver, British Columbia

Leading an idiosyncratic path, singer-songwriter Jason Michas started in the heady, early-90s music scene in Vancouver in groups like the voltaic rock band Omnibol. Later releasing his own album, Ode to a Dead Bird, even singing on jazz-themed projects such as Poor Boy: Songs of Nick Drake, his contribution called “stunning” by The Guardian and his voice likened to Sarah Vaughn by AllMusic. ... more

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